NEGATIVE ONE: 0036

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NOTES FROM OTHERS:

Cara 1/21/06 11:27

Yes yes yes. This comic is extremely satisfying for those who have wanted to see more dimension added to this "prophet business". And by "those" I mean ME!
I've noticed a definite improvement in the *movement* of the characters. Hand, arm and in fact, entire body positioning is much more real-feeling than before; like when Adele is playing with her hair or pointing at the paper. Keep this up because it looks great!
I also like that you have set up a background in the first frame that corresponded with the lighting in the rest of the comic.
I think the best artwork is when the subject is a close to medium distance away from the reader. When it gets farther away, the realism slips a little bit, and looks more cartoon-y like the second to last panel. But that's all the criticism and compliments I'm giving out this week.
(Negative is good, people! Read it!)

Any comments left here are PUBLIC. If you are not comfortable with that, mail me directly.

Cara	1/21/06	11:27
Yes yes yes. This comic is extremely satisfying for those who have wanted to see more dimension added to this "prophet business". And by "those" I mean ME! I've noticed a definite improvement in the movement of the characters. Hand, arm and in fact, entire body positioning is much more real-feeling than before; like when Adele is playing with her hair or pointing at the paper. Keep this up because it looks great! I also like that you have set up a background in the first frame that corresponded with the lighting in the rest of the comic. I think the best artwork is when the subject is a close to medium distance away from the reader. When it gets farther away, the realism slips a little bit, and looks more cartoon-y like the second to last panel. But that's all the criticism and compliments I'm giving out this week. (Negative is good, people! Read it!)